Design and Artists Copyright Society

Design and Artists Copyright Society

The Design and Artists Copyright Society (DACS) is a not-for-profit collective management organisation (CMO) established in the United Kingdom in 1983, operating since 1984. DACS is dedicated to advocating, protecting, and managing the copyright and related rights of visual artists, helping them collect and maximize royalties owed for the use of their works. The society represents over 180,000 visual artists and their estates worldwide, boasting an international reach through its collaborations with various collecting societies and membership networks. It distributes millions in royalties annually—by 2024, DACS had distributed more than £200 million.

DACS’ core mission is to champion artists’ intellectual property rights, ensuring fair compensation through licensing, royalty collection, and advocacy. Their three main services are: DACS ARR (Artist’s Resale Right), DACS Payback (for secondary uses and collective licensing), and DACS Licensing. The organization works with major cultural and commercial players, including the BBC, Tate, Netflix, Penguin, and international fashion brands, negotiating licensing agreements and defending artists’ rights in legislative, regulatory, and digital contexts.

As a lobbyist accredited with the EU Transparency Register, DACS actively participates in EU-level advocacy, seeking to influence policy development related to copyright, intellectual property rights, collective licensing, and fair remuneration for creators. They’ve run and participated in campaigns to modernize copyright law, advocate for the Artist’s Resale Right, address challenges around artificial intelligence, and protect the interests of visual artists amid EU policymaking.

DACS operates under transparent governance, with a board of directors and a global membership. It is noted for pushing forward the interests of artists at parliamentarian levels, not only in the UK but also through EU policy mechanisms. It provides secretariat support to parliamentary groups and networks with legislative and sector organizations to advance the rights of artists. As a recognized lobbyist in the EU, DACS is committed to open advocacy, responsible representation, and detailed reporting to the Transparency Register on its lobbying activities, financial data, and networking.

  • Full Name: Design and Artists Copyright Society (DACS)

  • Type: Not-for-profit collective management organization

  • Foundation Year: 1983 (in operation since 1984)

  • Region of Operation: United Kingdom; European Union (registered on EU Transparency Register)

  • Mission: Advancing and protecting artists’ rights and maximizing their royalties.

No related lobbyists found.

  • Categories Registered under EU Transparency Register:

    • Copyright and intellectual property

    • Arts and culture

    • Digital policy and media

    • Economic and creative industries advocacy

  • Affiliated Organizations:

    • Alliance for Intellectual Property

    • Audiovisual Licensing Agency (AVLA)

    • British Copyright Council (BCC)

    • Copyright Licensing Agency (CLA)

    • Creative UK

    • Creators’ Rights Alliance (CRA)

    • Educational Recording Agency (ERA)

    • European Visual Artists (EVA)

    • International Authors Forum (IAF)

    • International Council of Creators of Graphic, Plastic and Photographic Arts (CIAGP)

    • International Federation of Reproduction Rights Organisations (IFRRO)

    • Gallery Climate Coalition (GCC)

    • FRANK Fair Artists Pay

    • International Confederation of Societies of Authors and Composers (CISAC)

    • Online Art (OLA)

  • Money Spent on Lobbying (since registration with EU):

    • DACS regularly reports lobbying expenses in its annual transparency filings with the EU, which can vary year by year based on activities such as campaigns and policy engagement.

    • Reported figures are typically in the lower to mid-range for comparable organizations, reflecting focused advocacy work for copyright and artists’ rights rather than large-scale lobbying expenditures.

    • A specific year-by-year breakdown should be confirmed directly from the EU Transparency Register; DACS’s annual spend is primarily on legal representation, advocacy campaigns, and policy events.

  • Engagement:

    • DACS interacts with the European Parliament, European Commission, and relevant parliamentary committees, notably around copyright and intellectual property reforms.

    • Participates as a stakeholder in policy consultations, working groups, and legislative meetings concerning copyright issues, digital single market, and artist remuneration.

  • All Meetings (June 2011–June 2025):

    • Regular attendance at EU Commission stakeholder dialogues, policy consultations, roundtable meetings on copyright modernization, digital policy forums, and committee hearings.

    • Specific meetings, their participants, agendas, and results are documented in the Transparency Register and annual DACS reports, including public listed consultations with MEPs and DGs concerned with copyright and culture.

    • Annual meetings with parliamentary groups and panels advocating for improved legislative protection of artists.